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The Texas Chainsaw Massacre

The Texas Chainsaw Massacre

Horror · 2003

After picking up a traumatized young hitchhiker, five friends find themselves stalked and hunted by a chainsaw-wielding killer and his family of equally psychopathic killers.

Movie details

The Texas Chainsaw Massacre

“What you know about fear...doesn't even come close.”

2003 Horror 1h 38m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

After picking up a traumatized young hitchhiker, five friends find themselves stalked and hunted by a chainsaw-wielding killer and his family of equally psychopathic killers.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Texas Chainsaw Massacre?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Texas Chainsaw Massacre: The Beginning

The Texas Chainsaw Massacre: The Beginning

Horror · 2006

Chrissie and her friends set out on a road trip for a final fling before one is shipped off to Vietnam. Along the way, bikers harass the foursome and cause an accident that throws Chrissie from the vehicle. The lawman who arrives on the scene kills one of the bikers and brings Chrissie's friends to the Hewitt homestead, where young Leatherface is learning the tools of terror.

Where it lives

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Names above the title

The people responsible.

Directed by

Marcus Nispel

Written by

Scott Kosar

Jessica Biel

Jessica Biel

Erin Hardesty

Jonathan Tucker

Jonathan Tucker

Morgan

Andrew Bryniarski

Andrew Bryniarski

Thomas Hewitt (Leatherface)

Erica Leerhsen

Erica Leerhsen

Pepper

Eric Balfour

Eric Balfour

Kemper

Mike Vogel

Mike Vogel

Andy

R. Lee Ermey

R. Lee Ermey

Sheriff Hoyt

Court is in session

Put The Texas Chainsaw Massacre on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.