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Freddy vs. Jason

Freddy vs. Jason

Horror · 2003

Freddy Krueger and Jason Voorhees return to terrorize the teenagers of Elm Street. Only this time, they're out to get each other, too.

Movie details

Freddy vs. Jason

“Even a killer has something to fear.”

2003 Horror 1h 37m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

Freddy Krueger and Jason Voorhees return to terrorize the teenagers of Elm Street. Only this time, they're out to get each other, too.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Freddy vs. Jason?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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A Nightmare on Elm Street 4: The Dream Master

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Freddy Krueger returns once again to terrorize the dreams of the remaining Dream Warriors, as well as those of a young woman who may be able to defeat him for good.

Where it lives

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Names above the title

The people responsible.

Directed by

Ronny Yu

Written by

Damian Shannon · Mark Swift

Robert Englund

Robert Englund

Freddy Krueger

Ken Kirzinger

Ken Kirzinger

Jason Voorhees

Monica Keena

Monica Keena

Lori Campbell

Jason Ritter

Jason Ritter

Will Rollins

Kelly Rowland

Kelly Rowland

Kia Waterson

Katharine Isabelle

Katharine Isabelle

Gibb

Christopher Rodriguez Marquette

Christopher Rodriguez Marquette

Charlie Linderman

Court is in session

Put Freddy vs. Jason on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.