The defence The Arthouse Gremlin
“Its refusal to behave is the point.”
The strange choices create the kind of friction that follows you out of the theatre and into the argument.
Back to trending 
The Texas Chain Saw Massacre
Horror · 1974
Five friends head out to rural Texas to visit the grave of a grandfather. On the way, they stumble across what appears to be a deserted house, only to discover something sinister within. Something armed with a chainsaw.
Movie details
The Texas Chain Saw Massacre
“Who will survive and what will be left of them?”
1974 Horror 1h 23m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
7.3 / 10
Community rating
Five friends head out to rural Texas to visit the grave of a grandfather. On the way, they stumble across what appears to be a deserted house, only to discover something sinister within. Something armed with a chainsaw.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over The Texas Chain Saw Massacre?
For the defence
The Arthouse Gremlin
“The stranger, the better.”
Read their case For the prosecution
The Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
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Friday the 13th Part III
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Names above the title
The people responsible.
Cast & crew
Directed by
Tobe Hooper
Written by
Kim Henkel · Tobe Hooper
Marilyn Burns
Sally
Allen Danziger
Jerry
Paul A. Partain
Franklin
William Vail
Kirk
Teri McMinn
Pam
Edwin Neal
Hitchhiker
Jim Siedow
Old Man
Court is in session
Put The Texas Chain Saw Massacre on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Popcorn Loyalist
“Oddness is not depth.”
A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.