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Ginger Snaps

Ginger Snaps

Horror · Fantasy · 2000

The story of two outcast sisters, Ginger and Brigitte, in the mindless suburban town of Bailey Downs. On the night of Ginger's first period, she is savagely attacked by a wild creature. Ginger's wounds miraculously heal but something is not quite right. Now Brigitte must save her sister and save herself.

Movie details

Ginger Snaps

“They don't call it the curse for nothing.”

2000 Horror · Fantasy 1h 48m

Critical arithmetic

One number, for now.

TMDB

6.9 / 10

Community rating

The story of two outcast sisters, Ginger and Brigitte, in the mindless suburban town of Bailey Downs. On the night of Ginger's first period, she is savagely attacked by a wild creature. Ginger's wounds miraculously heal but something is not quite right. Now Brigitte must save her sister and save herself.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Ginger Snaps?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

Ginger Snaps 2: Unleashed

Ginger Snaps 2: Unleashed

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The Banana Splits Movie

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Names above the title

The people responsible.

Directed by

John Fawcett

Written by

Karen Walton · John Fawcett

Katharine Isabelle

Katharine Isabelle

Ginger Fitzgerald

Emily Perkins

Emily Perkins

Brigitte Fitzgerald

Kris Lemche

Kris Lemche

Sam

Mimi Rogers

Mimi Rogers

Pamela Fitzgerald

Jesse Moss

Jesse Moss

Jason McCardy

Danielle Hampton

Danielle Hampton

Trina Sinclair

John Bourgeois

John Bourgeois

Henry Fitzgerald

Court is in session

Put Ginger Snaps on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.