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Scream Blacula Scream

Scream Blacula Scream

Horror · Fantasy · 1973

After an aging voodoo priestess dies, her arrogant son Willis Daniel's believes he is next in line to lead. He is outraged when Lisa, his mother's adopted apprentice is chosen as the leader. Willis seeks revenge by reviving the African prince Blacula — but soon finds that he cannot control him.

Movie details

Scream Blacula Scream

“The black prince of shadows stalks the earth again!”

1973 Horror · Fantasy 1h 36m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

After an aging voodoo priestess dies, her arrogant son Willis Daniel's believes he is next in line to lead. He is outraged when Lisa, his mother's adopted apprentice is chosen as the leader. Willis seeks revenge by reviving the African prince Blacula — but soon finds that he cannot control him.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Scream Blacula Scream?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Bob Kelljan

Written by

Raymond Koenig · Joan Torres · Maurice Jules

William Marshall

William Marshall

Blacula / Prince Mamuwalde

Don Mitchell

Don Mitchell

Justin Carter

Pam Grier

Pam Grier

Lisa Fortier

Michael Conrad

Michael Conrad

Sheriff Harley Dunlop

Richard Lawson

Richard Lawson

Willis Daniels

Lynne Moody

Lynne Moody

Denny

Janee Michelle

Janee Michelle

Gloria

Court is in session

Put Scream Blacula Scream on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.