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The Vampire Lovers

The Vampire Lovers

Horror · 1970

In the heart of Styria the Karnstein Family, even after their mortal deaths, rise from their tombs spreading evil in the countryside in their lust for fresh blood. Baron Hartog whose family are all victims of Karnstein vampirism, opens their graves and drives a stake through their diabolical hearts. One grave he cannot locate is that of the legendary beautiful Mircalla Karnstein. Years of peace follow that grisly night until Mircalla reappears to avenge her family's decimation and satisfy her desire for blood.

Movie details

The Vampire Lovers

“An erotic nightmare of tormented lusts that throb in headless, undead bodies!”

1970 Horror 1h 31m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

In the heart of Styria the Karnstein Family, even after their mortal deaths, rise from their tombs spreading evil in the countryside in their lust for fresh blood. Baron Hartog whose family are all victims of Karnstein vampirism, opens their graves and drives a stake through their diabolical hearts. One grave he cannot locate is that of the legendary beautiful Mircalla Karnstein. Years of peace follow that grisly night until Mircalla reappears to avenge her family's decimation and satisfy her desire for blood.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Vampire Lovers?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Roy Ward Baker

Written by

Tudor Gates

Ingrid Pitt

Ingrid Pitt

Marcilla / Carmilla

Peter Cushing

Peter Cushing

General von Spielsdorf

George Cole

George Cole

Roger Morton

Kate O'Mara

Kate O'Mara

The Governess (Mme. Perrodot)

Ferdy Mayne

Ferdy Mayne

Doctor

Douglas Wilmer

Douglas Wilmer

Baron Joachim von Hartog

Madeline Smith

Madeline Smith

Emma Morton

Court is in session

Put The Vampire Lovers on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.