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Vampyres

Vampyres

Horror · 1974

A duo of bisexual female vampires prey on passing motorists, whom they seduce and murder in the English countryside.

Movie details

Vampyres

“They shared the pleasures of the flesh and the horrors of the grave!”

1974 Horror 1h 28m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

A duo of bisexual female vampires prey on passing motorists, whom they seduce and murder in the English countryside.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Vampyres?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

Play Dead

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As an evil takes over the world beyond their front doorstep, the only protection for a mother and her twin sons is their house and their family’s protective bond.

Lust for a Vampire

Lust for a Vampire

Horror · 1971

In 1830, the Karnstein heirs use the blood of an innocent to bring forth the evil that is the beautiful Mircalla - or as she was in 1710, Carmilla. The nearby Finishing School offers rich pickings not only in in the blood of nubile young ladies but also with the headmaster who is desperate to become Mircalla's disciple, and the equally besotted and even more foolish author Richard Lestrange.

The Boogeyman

The Boogeyman

Horror · 2023

Still reeling from the tragic death of their mother, a teenage girl and her younger sister find themselves plagued by a sadistic presence in their house and struggle to get their grieving father to pay attention before it’s too late.

The Vampire Lovers

The Vampire Lovers

Horror · 1970

In the heart of Styria the Karnstein Family, even after their mortal deaths, rise from their tombs spreading evil in the countryside in their lust for fresh blood. Baron Hartog whose family are all victims of Karnstein vampirism, opens their graves and drives a stake through their diabolical hearts. One grave he cannot locate is that of the legendary beautiful Mircalla Karnstein. Years of peace follow that grisly night until Mircalla reappears to avenge her family's decimation and satisfy her desire for blood.

Rabid

Rabid

Horror · 1977

A young woman develops a taste for human blood after experimental plastic surgery, and her victims turn into bloodthirsty zombies, leading into a city-wide epidemic.

Near Dark

Near Dark

Horror · 1987

A farm boy reluctantly becomes a member of the undead when a girl he meets turns out to be part of a band of vampires who roam the highways in stolen cars.

Nosferatu

Nosferatu

Horror · 2024

A gothic tale of obsession between a haunted young woman and the terrifying vampire infatuated with her, causing untold horror in its wake.

Ginger Snaps

Ginger Snaps

Horror · 2000

The story of two outcast sisters, Ginger and Brigitte, in the mindless suburban town of Bailey Downs. On the night of Ginger's first period, she is savagely attacked by a wild creature. Ginger's wounds miraculously heal but something is not quite right. Now Brigitte must save her sister and save herself.

Nightman

Nightman

Thriller · 2023

A young pregnant woman discovers that her perfect boyfriend may be a dangerous sleepwalker when she finds out of strange disappearances and murders taking place in the region.

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Names above the title

The people responsible.

Directed by

José Ramón Larraz

Written by

Diana Daubeney · Thomas Owen · José Ramón Larraz

Marianne Morris

Marianne Morris

Fran

Anulka Dziubinska

Anulka Dziubinska

Miriam

M

Murray Brown

Ted

Brian Deacon

Brian Deacon

John

Sally Faulkner

Sally Faulkner

Harriet

Michael Byrne

Michael Byrne

Playboy

Karl Lanchbury

Karl Lanchbury

Rupert

Court is in session

Put Vampyres on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.