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The Howling

The Howling

Horror · 1981

After a bizarre and near fatal encounter with a serial killer, a newswoman is sent to a rehabilitation center whose inhabitants may not be what they seem.

Movie details

The Howling

“Imagine your worst fear a reality.”

1981 Horror 1h 31m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

After a bizarre and near fatal encounter with a serial killer, a newswoman is sent to a rehabilitation center whose inhabitants may not be what they seem.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Howling?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Bride!

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Sleepwalkers

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Dressed to Kill

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After witnessing a mysterious woman brutally slay a homemaker, prostitute Liz Blake finds herself trapped in a dangerous situation. While the police thinks she is the murderer, the real killer is intent on silencing her only witness.

Where it lives

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Names above the title

The people responsible.

Directed by

Joe Dante

Written by

John Sayles · Terence H. Winkless

Dee Wallace

Dee Wallace

Karen White

Patrick Macnee

Patrick Macnee

Dr. George Waggner

Dennis Dugan

Dennis Dugan

Chris

Christopher Stone

Christopher Stone

R. William 'Bill' Neill

Belinda Balaski

Belinda Balaski

Terry Fisher

Kevin McCarthy

Kevin McCarthy

Fred Francis

John Carradine

John Carradine

Erle Kenton

Court is in session

Put The Howling on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.