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The Caller

The Caller

Mystery · Science Fiction · Thriller · 1987

One night, an unusual stranger in need asks a woman living alone in a house in the woods if he can use her phone. It soon becomes clear that they're playing a strange mind game and that there's something very wrong about the woods.

Movie details

The Caller

“A strange visitor. A mysterious woman. A surprise ending...”

1987 Mystery · Science Fiction · Thriller 1h 37m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

One night, an unusual stranger in need asks a woman living alone in a house in the woods if he can use her phone. It soon becomes clear that they're playing a strange mind game and that there's something very wrong about the woods.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Caller?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Arthur Allan Seidelman

Written by

Michael Sloan

Malcolm McDowell

Malcolm McDowell

The Caller

Madolyn Smith Osborne

Madolyn Smith Osborne

The Girl (as Madolyn Smith)

Court is in session

Put The Caller on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.