The defence The Arthouse Gremlin
“Its refusal to behave is the point.”
The strange choices create the kind of friction that follows you out of the theatre and into the argument.
Back to trending 
The Company of Wolves
Horror · Fantasy · 1984
An adaptation of Angela Carter's fairy tales. Young Rosaleen dreams of a village in the dark woods, where Granny tells her cautionary tales in which innocent maidens are tempted by wolves who are hairy on the inside. As Rosaleen grows into womanhood, will the wolves come for her too?
Movie details
The Company of Wolves
“The Desire...The Fantasy...The Nightmare.”
1984 Horror · Fantasy 1h 35m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.3 / 10
Community rating
An adaptation of Angela Carter's fairy tales. Young Rosaleen dreams of a village in the dark woods, where Granny tells her cautionary tales in which innocent maidens are tempted by wolves who are hairy on the inside. As Rosaleen grows into womanhood, will the wolves come for her too?
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over The Company of Wolves?
For the defence
The Arthouse Gremlin
“The stranger, the better.”
Read their case For the prosecution
The Prestige Tourist
“You like your greatness pre-approved.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
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A Nightmare on Elm Street Part 2: Freddy's Revenge
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Names above the title
The people responsible.
Cast & crew
Directed by
Neil Jordan
Written by
Neil Jordan · Angela Carter · Charles Perrault
Sarah Patterson
Rosaleen
Angela Lansbury
Granny
David Warner
Father
Graham Crowden
Old Priest
Brian Glover
Amorous Boy's Father
Kathryn Pogson
Young Bride
Stephen Rea
Young Groom
Court is in session
Put The Company of Wolves on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Prestige Tourist
“Oddness is not depth.”
A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.