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The Company of Wolves

The Company of Wolves

Horror · Fantasy · 1984

An adaptation of Angela Carter's fairy tales. Young Rosaleen dreams of a village in the dark woods, where Granny tells her cautionary tales in which innocent maidens are tempted by wolves who are hairy on the inside. As Rosaleen grows into womanhood, will the wolves come for her too?

Movie details

The Company of Wolves

“The Desire...The Fantasy...The Nightmare.”

1984 Horror · Fantasy 1h 35m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

An adaptation of Angela Carter's fairy tales. Young Rosaleen dreams of a village in the dark woods, where Granny tells her cautionary tales in which innocent maidens are tempted by wolves who are hairy on the inside. As Rosaleen grows into womanhood, will the wolves come for her too?

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Company of Wolves?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Neil Jordan

Written by

Neil Jordan · Angela Carter · Charles Perrault

Sarah Patterson

Sarah Patterson

Rosaleen

Angela Lansbury

Angela Lansbury

Granny

David Warner

David Warner

Father

Graham Crowden

Graham Crowden

Old Priest

Brian Glover

Brian Glover

Amorous Boy's Father

Kathryn Pogson

Kathryn Pogson

Young Bride

Stephen Rea

Stephen Rea

Young Groom

Court is in session

Put The Company of Wolves on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.