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Day of the Woman

Day of the Woman

Horror · 1978

A young, beautiful career woman rents a backwoods cabin to write her first novel. Attacked by a group of local lowlifes and left for dead, she devises a horrific plan to inflict revenge.

Movie details

Day of the Woman

“After it was all over... she waited... then she struck back in a way only a WOMAN can!”

1978 Horror 1h 41m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

A young, beautiful career woman rents a backwoods cabin to write her first novel. Attacked by a group of local lowlifes and left for dead, she devises a horrific plan to inflict revenge.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Day of the Woman?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Texas Chainsaw Massacre

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The Seasoning House

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The Seasoning House - where young girls are prostituted to the military. An orphaned deaf mute is enslaved to care for them. She moves between the walls and crawlspaces, planning her escape. Planning her ingenious and brutal revenge.

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Where it lives

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Names above the title

The people responsible.

Directed by

Meir Zarchi

Written by

Meir Zarchi

Camille Keaton

Camille Keaton

Jennifer Hills

Eron Tabor

Eron Tabor

Johnny

Richard Pace

Richard Pace

Matthew Lucas

Anthony Nichols

Anthony Nichols

Stanley

G

Gunter Kleemann

Andy

A

Alexis Magnotti

Johnny's Wife

T

Tammy Zarchi

Johnny's Daughter

Court is in session

Put Day of the Woman on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.