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The Girl Next Door

The Girl Next Door

Thriller · Crime · Drama · 2007

In a quiet suburban town in the summer of 1958, two recently orphaned sisters are placed in the care of their mentally unstable Aunt Ruth. But Ruth's depraved sense of discipline will soon lead to unspeakable acts of abuse and torture that involve her young sons, the neighborhood children, and one 12-year-old boy whose life will be changed forever.

Movie details

The Girl Next Door

“In this town, murder became the neighborhood game.”

2007 Thriller · Crime · Drama 1h 31m

Critical arithmetic

One number, for now.

TMDB

6.7 / 10

Community rating

In a quiet suburban town in the summer of 1958, two recently orphaned sisters are placed in the care of their mentally unstable Aunt Ruth. But Ruth's depraved sense of discipline will soon lead to unspeakable acts of abuse and torture that involve her young sons, the neighborhood children, and one 12-year-old boy whose life will be changed forever.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Girl Next Door?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Strange Darling

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Where it lives

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Names above the title

The people responsible.

Directed by

Gregory Wilson

Written by

Daniel Farrands · Philip Nutman

Blythe Auffarth

Blythe Auffarth

Meg Loughlin

Daniel Manche

Daniel Manche

David Moran

Michael Zegen

Michael Zegen

Eddie

Catherine Mary Stewart

Catherine Mary Stewart

Mrs. Moran

Grant Show

Grant Show

Mr. Moran

Graham Patrick Martin

Graham Patrick Martin

Willie Chandler Jr.

William Atherton

William Atherton

Adult David Moran

Court is in session

Put The Girl Next Door on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Big-Idea Head

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.