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Dead Man's Shoes

Dead Man's Shoes

Drama · Thriller · Crime · 2004

A soldier returns to his small town and exacts a deadly revenge on the thugs who tormented his disabled brother while he was away.

Movie details

Dead Man's Shoes

“He's in all of us.”

2004 Drama · Thriller · Crime 1h 30m

Critical arithmetic

The consensus, allegedly.

IMDb

7.5 / 10

60.6K votes

Rotten Tomatoes

61 %

Tomatometer

Metacritic

52 / 100

Metascore

TMDB

7.1 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

A soldier returns to his small town and exacts a deadly revenge on the thugs who tormented his disabled brother while he was away.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Dead Man's Shoes?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Dead Presidents

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Crime · 1995

On the streets they call cash dead presidents. And that's just what a Vietnam veteran is after when he returns home from the war only to find himself drawn into a life of crime. With the aid of his fellow vets he plans the ultimate heist -- a daring robbery of an armored car filled with unmarked U.S. currency!

Where it lives

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Shane Meadows

Written by

Paddy Considine · Shane Meadows

Paddy Considine

Paddy Considine

Richard

Toby Kebbell

Toby Kebbell

Anthony

Gary Stretch

Gary Stretch

Sonny

S

Stuart Wolfenden

Herbie

Neil Bell

Neil Bell

Soz

P

Paul Sadot

Tuff

Seamus O'Neill

Seamus O'Neill

Big Al

Court is in session

Put Dead Man's Shoes on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Big-Idea Head

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.