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StreetDance 2

StreetDance 2

Music · Romance · Drama · 2012

After suffering humiliation by the crew Invincible, street dancer Ash looks to gather the best dancers from around the world for a rematch.

Movie details

StreetDance 2

“The beat is back”

2012 Music · Romance · Drama 1h 25m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

After suffering humiliation by the crew Invincible, street dancer Ash looks to gather the best dancers from around the world for a rematch.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over StreetDance 2?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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When rebellious street dancer Andie West lands at the elite Maryland School of the Arts, she finds herself fighting to fit in while also trying to hold onto her old life. When she joins forces with the school's hottest dancer, Chase Collins, to form a crew of fellow outcasts to compete in Baltimore's underground dance battle The Streets.

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All-stars from previous installments convene in glittering Las Vegas, battling for a victory that could define their dreams and their careers.

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Where it lives

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Names above the title

The people responsible.

Directed by

Max Giwa · Dania Pasquini

Written by

Jane English

Falk Hentschel

Falk Hentschel

Ash

Sofia Boutella

Sofia Boutella

Eva

G

George Sampson

Eddie

Stephanie Nguyen

Stephanie Nguyen

Cast

D

Delphine Nguyen

Cast

N

Niek Traa

Cast

E

Elisabetta Di Carlo

Cast

Court is in session

Put StreetDance 2 on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.