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Save the Last Dance

Save the Last Dance

Drama · Family · Romance · 2001

After the death of her mother, Sara moves to the South Side of Chicago to live with her father and gets transferred to a majority-black school. Her life takes a turn for the better when befriends Chenille and her brother Derek, who helps her with her dancing skills.

Movie details

Save the Last Dance

“The only person you need to be is yourself.”

2001 Drama · Family · Romance 1h 53m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

After the death of her mother, Sara moves to the South Side of Chicago to live with her father and gets transferred to a majority-black school. Her life takes a turn for the better when befriends Chenille and her brother Derek, who helps her with her dancing skills.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Save the Last Dance?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Thomas Carter

Written by

Duane Adler · Cheryl Edwards

Julia Stiles

Julia Stiles

Sara Johnson

Sean Patrick Thomas

Sean Patrick Thomas

Derek Reynolds

Kerry Washington

Kerry Washington

Chenille Reynolds

Fredro Starr

Fredro Starr

Malakai

Terry Kinney

Terry Kinney

Roy Johnson

Bianca Lawson

Bianca Lawson

Nikki

Vince Green

Vince Green

Snookie

Court is in session

Put Save the Last Dance on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.