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The Page Turner

The Page Turner

Drama · Music · Thriller · 2006

Mélanie Prouvost, a ten-year-old butcher's daughter, is a gifted pianist. That is why she and her parents decide that she sit for the Conservatory entrance exam. Although Mélanie is very likely to be admitted, she unfortunately gets distracted by the president of the jury's offhand attitude and she fails. Ten years later, Mélanie becomes her page turner, waiting patiently for her revenge.

Movie details

The Page Turner

2006 Drama · Music · Thriller 1h 25m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

Mélanie Prouvost, a ten-year-old butcher's daughter, is a gifted pianist. That is why she and her parents decide that she sit for the Conservatory entrance exam. Although Mélanie is very likely to be admitted, she unfortunately gets distracted by the president of the jury's offhand attitude and she fails. Ten years later, Mélanie becomes her page turner, waiting patiently for her revenge.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Page Turner?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Denis Dercourt

Written by

Denis Dercourt · Jacques Sotty

Catherine Frot

Catherine Frot

Ariane Fouchécourt

Déborah François

Déborah François

Mélanie Prouvost

Pascal Greggory

Pascal Greggory

Jean Fouchécourt

Christine Citti

Christine Citti

Madame Prouvost

Clotilde Mollet

Clotilde Mollet

Virginie

Jacques Bonnaffé

Jacques Bonnaffé

Monsieur Prouvost

Xavier de Guillebon

Xavier de Guillebon

Laurent

Court is in session

Put The Page Turner on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.