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Don't Bother to Knock

Don't Bother to Knock

Drama · Thriller · 1952

An airline pilot pursues a live-in babysitter at his hotel and gradually realizes she is not as stable as perhaps she should be.

Movie details

Don't Bother to Knock

“… a wicked sensation as the lonely girl in room 809!”

1952 Drama · Thriller 1h 16m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

An airline pilot pursues a live-in babysitter at his hotel and gradually realizes she is not as stable as perhaps she should be.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Don't Bother to Knock?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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A reporter, fired after refusing to give names to a 1951 House Un-American Activities Committee, takes a part-time job as companion to an old lady. While working she overhears a noisy argument in the neighboring house, being conducted largely in German and involving her HUAC prosecutor. She begins to investigate, enlisting the help of the FBI Agent initially detailed to surveil her.

The Million Dollar Hotel

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Names above the title

The people responsible.

Directed by

Roy Ward Baker

Written by

Daniel Taradash

Richard Widmark

Richard Widmark

Jed Towers

Marilyn Monroe

Marilyn Monroe

Nell Forbes

Anne Bancroft

Anne Bancroft

Lyn Lesley

Donna Corcoran

Donna Corcoran

Bunny Jones

Jeanne Cagney

Jeanne Cagney

Rochelle

Lurene Tuttle

Lurene Tuttle

Ruth Jones

Elisha Cook Jr.

Elisha Cook Jr.

Eddie Forbes

Court is in session

Put Don't Bother to Knock on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.