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The House on Carroll Street

The House on Carroll Street

Drama · Thriller · 1988

A reporter, fired after refusing to give names to a 1951 House Un-American Activities Committee, takes a part-time job as companion to an old lady. While working she overhears a noisy argument in the neighboring house, being conducted largely in German and involving her HUAC prosecutor. She begins to investigate, enlisting the help of the FBI Agent initially detailed to surveil her.

Movie details

The House on Carroll Street

“Emily Crane left her home one morning and stepped into a nightmare.”

1988 Drama · Thriller 1h 41m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

A reporter, fired after refusing to give names to a 1951 House Un-American Activities Committee, takes a part-time job as companion to an old lady. While working she overhears a noisy argument in the neighboring house, being conducted largely in German and involving her HUAC prosecutor. She begins to investigate, enlisting the help of the FBI Agent initially detailed to surveil her.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The House on Carroll Street?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Peter Yates

Written by

Walter Bernstein

Kelly McGillis

Kelly McGillis

Emily

Jeff Daniels

Jeff Daniels

Cochran

Mandy Patinkin

Mandy Patinkin

Salwen

Jessica Tandy

Jessica Tandy

Miss Venable

Jonathan Hogan

Jonathan Hogan

Alan

Remak Ramsay

Remak Ramsay

Senator Byington

Kenneth Welsh

Kenneth Welsh

Hackett

Court is in session

Put The House on Carroll Street on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.