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F.I.S.T.

F.I.S.T.

Drama · Action · Crime · 1978

Johnny Kovak joins the Teamsters trade-union in a local chapter in the 1930s and works his way up in the organization. As he climbs higher and higher his methods become more ruthless and finally senator Madison starts a campaign to find the truth about the alleged connections with the Mob.

Movie details

F.I.S.T.

“A story about a man, the woman he loved, and the men he fought for.”

1978 Drama · Action · Crime 2h 25m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

Johnny Kovak joins the Teamsters trade-union in a local chapter in the 1930s and works his way up in the organization. As he climbs higher and higher his methods become more ruthless and finally senator Madison starts a campaign to find the truth about the alleged connections with the Mob.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over F.I.S.T.?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Norman Jewison

Written by

Joe Eszterhas · Sylvester Stallone · Norman Jewison

Sylvester Stallone

Sylvester Stallone

John D. 'Johnny' Kovak

Rod Steiger

Rod Steiger

Sen. Andrew Madison

Peter Boyle

Peter Boyle

Max Graham

Melinda Dillon

Melinda Dillon

Anna Zarinkas

David Huffman

David Huffman

Abe Belkin

Kevin Conway

Kevin Conway

Vince Doyle

Tony Lo Bianco

Tony Lo Bianco

Anthony 'Babe' Milano

Court is in session

Put F.I.S.T. on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Momentum is a formal choice.”

The velocity sharpens instinct and tension, making every beat land before self-importance can settle in.

The prosecution The Auteur Devotee

“Speed as an alibi.”

The film races past its weak spots and hopes acceleration will keep the audience from inspecting the evidence.