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My Neighbor Adolf

My Neighbor Adolf

Drama · 2022

South America, 1960. A lonely and grumpy Holocaust survivor convinces himself that his new neighbor is none other than Adolf Hitler. Not being taken seriously, he starts an independent investigation to prove his claim, but when the evidence still appears to be inconclusive, Polsky is forced to engage in a relationship with the enemy in order to obtain irrefutable proof.

Movie details

My Neighbor Adolf

“Know our enemy and he will reveal himself.”

2022 Drama 1h 36m

Critical arithmetic

The consensus, allegedly.

IMDb

6.6 / 10

2.3K votes

Rotten Tomatoes

44 %

Tomatometer

TMDB

6.5 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

South America, 1960. A lonely and grumpy Holocaust survivor convinces himself that his new neighbor is none other than Adolf Hitler. Not being taken seriously, he starts an independent investigation to prove his claim, but when the evidence still appears to be inconclusive, Polsky is forced to engage in a relationship with the enemy in order to obtain irrefutable proof.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over My Neighbor Adolf?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Leon Prudovsky

Written by

Leon Prudovsky · Dmitry Malinsky

David Hayman

David Hayman

Marek Polsky

Udo Kier

Udo Kier

Herman Herzog

Olivia Silhavy

Olivia Silhavy

Frau Kaltenbrunner

K

Kineret Peled

Intelligence Officer

J

Jaime Correa

Council Head

Tomasz Sobczak

Tomasz Sobczak

Expert

D

Danharry Colorado Cortes

Postman

Court is in session

Put My Neighbor Adolf on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.