The defence The Prestige Tourist
“Ambition earns the room.”
The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.
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Amadeus
Drama · History · Music · 1984
Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Salzburger composer Wolfgang Amadeus Mozart.
Movie details
Amadeus
“The Man... The Music... The Madness... The Murder... The Motion Picture.”
1984 Drama · History · Music 2h 40m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
8.0 / 10
Community rating
Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Salzburger composer Wolfgang Amadeus Mozart.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Amadeus?
For the defence
The Prestige Tourist
“You like your greatness pre-approved.”
Read their case For the prosecution
The Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
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Names above the title
The people responsible.
Cast & crew
Directed by
Miloš Forman
Written by
Peter Shaffer
F. Murray Abraham
Antonio Salieri
Tom Hulce
Wolfgang Amadeus Mozart
Elizabeth Berridge
Constanze Mozart
Simon Callow
Emanuel Schikaneder
Roy Dotrice
Leopold Mozart
Christine Ebersole
Katerina Cavalieri
Jeffrey Jones
Emperor Joseph II
Court is in session
Put Amadeus on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Popcorn Loyalist
“Importance has entered the chat.”
The production keeps announcing its significance, as though awards-season posture were proof of insight.