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La Vie en Rose

La Vie en Rose

Music · Drama · 2007

From the mean streets of the Belleville district of Paris to the dazzling limelight of New York's most famous concert halls, Edith Piaf's life was a constant battle to sing and survive, to live and love. Raised in her grandmother's brothel, Piaf was discovered in 1935 by nightclub owner Louis Leplee, who persuaded her to sing despite her extreme nervousness. Piaf became one of France's immortal icons, her voice one of the indelible signatures of the 20th century.

Movie details

La Vie en Rose

“The extraordinary story of Edith Piaf.”

2007 Music · Drama 2h 20m

Critical arithmetic

One number, for now.

TMDB

7.4 / 10

Community rating

From the mean streets of the Belleville district of Paris to the dazzling limelight of New York's most famous concert halls, Edith Piaf's life was a constant battle to sing and survive, to live and love. Raised in her grandmother's brothel, Piaf was discovered in 1935 by nightclub owner Louis Leplee, who persuaded her to sing despite her extreme nervousness. Piaf became one of France's immortal icons, her voice one of the indelible signatures of the 20th century.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over La Vie en Rose?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Olivier Dahan

Written by

Isabelle Sobelman · Olivier Dahan

Marion Cotillard

Marion Cotillard

Edith Piaf

Sylvie Testud

Sylvie Testud

Simone 'Mômone' Berteaut

Pascal Greggory

Pascal Greggory

Louis Barrier

Emmanuelle Seigner

Emmanuelle Seigner

Titine

Jean-Paul Rouve

Jean-Paul Rouve

Louis Gassion

Gérard Depardieu

Gérard Depardieu

Louis Leplée

Clotilde Courau

Clotilde Courau

Annetta Gassion

Court is in session

Put La Vie en Rose on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.