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The Passengers of the Night

The Passengers of the Night

Drama · 2022

On election night in 1981, celebrations spill out onto the street and there is an air of hope and change throughout Paris. But for Elisabeth, her marriage is coming to an end and she will now have to support herself and her two teenage children. She finds work at a late-night radio show and encounters a troubled teenager named Talulah whom she invites into her home.

Movie details

The Passengers of the Night

2022 Drama 1h 51m

Critical arithmetic

One number, for now.

TMDB

6.9 / 10

Community rating

On election night in 1981, celebrations spill out onto the street and there is an air of hope and change throughout Paris. But for Elisabeth, her marriage is coming to an end and she will now have to support herself and her two teenage children. She finds work at a late-night radio show and encounters a troubled teenager named Talulah whom she invites into her home.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Passengers of the Night?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Mikhaël Hers

Written by

Mikhaël Hers · Maud Ameline · Mariette Désert

Charlotte Gainsbourg

Charlotte Gainsbourg

Elisabeth

Quito Rayon Richter

Quito Rayon Richter

Matthias

Noée Abita

Noée Abita

Talulah

Megan Northam

Megan Northam

Judith

Thibault Vinçon

Thibault Vinçon

Hugo

Emmanuelle Béart

Emmanuelle Béart

Vanda Dorval

Laurent Poitrenaux

Laurent Poitrenaux

Manuel Agostini

Court is in session

Put The Passengers of the Night on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.