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Declaration of War

Declaration of War

Drama · 2011

Roméo and Juliette are two young actors. They fall in love at first sight, move in together and make a baby. A love story and the founding of a home like millions of others. Except that their little boy, Adam, behaves abnormally. The young parents try hard to persuade themselves that everything is okay but, with the passing of time, they cannot delude themselves anymore: their son has a problem. From now on, war is declared. A war against illness. A war against Death. A war against despair.

Movie details

Declaration of War

2011 Drama 1h 40m

Critical arithmetic

One number, for now.

TMDB

7.0 / 10

Community rating

Roméo and Juliette are two young actors. They fall in love at first sight, move in together and make a baby. A love story and the founding of a home like millions of others. Except that their little boy, Adam, behaves abnormally. The young parents try hard to persuade themselves that everything is okay but, with the passing of time, they cannot delude themselves anymore: their son has a problem. From now on, war is declared. A war against illness. A war against Death. A war against despair.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Declaration of War?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Valérie Donzelli

Written by

Jérémie Elkaïm · Valérie Donzelli

Valérie Donzelli

Valérie Donzelli

Juliette

Jérémie Elkaïm

Jérémie Elkaïm

Roméo

G

Gabriel Elkaïm

Adam Benaïm à 8 ans

Brigitte Sy

Brigitte Sy

Claudia Benaïm

C

César Desseix

Adam Benaïm à 18 mois

Elina Löwensohn

Elina Löwensohn

Alex

Philippe Laudenbach

Philippe Laudenbach

Philippe

Court is in session

Put Declaration of War on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.