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Father of My Children

Father of My Children

Drama · 2009

Grégoire Canvel has everything a man could want. A wife he loves, three delightful children, and a stimulating job. He's a film producer. Discovering talented filmmakers and developing films that fit his conception of the cinema-free and true to life-is precisely his reason for living. Yet his prestigious production company, Moon Films, is on its last legs.

Movie details

Father of My Children

2009 Drama 1h 51m

Critical arithmetic

One number, for now.

TMDB

6.7 / 10

Community rating

Grégoire Canvel has everything a man could want. A wife he loves, three delightful children, and a stimulating job. He's a film producer. Discovering talented filmmakers and developing films that fit his conception of the cinema-free and true to life-is precisely his reason for living. Yet his prestigious production company, Moon Films, is on its last legs.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Father of My Children?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Mia Hansen-Løve

Written by

Mia Hansen-Løve

Louis-Do de Lencquesaing

Louis-Do de Lencquesaing

Grégoire Canvel

Chiara Caselli

Chiara Caselli

Sylvia Canvel

Alice de Lencquesaing

Alice de Lencquesaing

Clémence Canvel

A

Alice Gautier

Valentine Canvel

M

Manelle Driss

Billie Canvel

Éric Elmosnino

Éric Elmosnino

Serge

Sandrine Dumas

Sandrine Dumas

Valérie, l'assistante de Grégoire

Court is in session

Put Father of My Children on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.