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Darling

Darling

Drama · 2007

Darling is a woman of today. It seems to always choose the wrong path. Suffers but does not look like a victim. Do not feel sorry for herself. On the contrary, shows a passion for life against all odds. She is struggling to exist. If you fall, get up. Because Darling is naive and fearless, brave and instinctive. Has the life force of a tragic heroine.

Movie details

Darling

2007 Drama 1h 34m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

Darling is a woman of today. It seems to always choose the wrong path. Suffers but does not look like a victim. Do not feel sorry for herself. On the contrary, shows a passion for life against all odds. She is struggling to exist. If you fall, get up. Because Darling is naive and fearless, brave and instinctive. Has the life force of a tragic heroine.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Darling?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Christine Carrière

Written by

Pascal Arnold · Christine Carrière

Marina Foïs

Marina Foïs

Catherine / Sophie / Cécile Nicolle / dite 'Darling'

Guillaume Canet

Guillaume Canet

Joël Epine dit 'Roméo'

O

Océane Decaudain

Catherine, Darling petite

Anne Benoît

Anne Benoît

Suzanne Nicolle - la mère de Darling

Marc Brunet

Marc Brunet

Georges Nicolle - le père de Darling

Sissi Duparc

Sissi Duparc

Chantal Clément

Hervé Lassïnce

Hervé Lassïnce

Vincent Blandamour

Court is in session

Put Darling on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.