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Austin Powers: International Man of Mystery

Austin Powers: International Man of Mystery

Comedy · Crime · 1997

As a swinging fashion photographer by day and a groovy British superagent by night, Austin Powers is the '60s' most shagadelic spy. But can he stop megalomaniac Dr. Evil after the bald villain freezes himself and unthaws in the '90s? With the help of sexy sidekick Vanessa Kensington, he just might.

Movie details

Austin Powers: International Man of Mystery

“Debonair. Defiant. Defrosted.”

1997 Comedy · Crime 1h 29m

Critical arithmetic

The consensus, allegedly.

IMDb

7.0 / 10

272K votes

Rotten Tomatoes

72 %

Tomatometer

Metacritic

51 / 100

Metascore

TMDB

6.6 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

As a swinging fashion photographer by day and a groovy British superagent by night, Austin Powers is the '60s' most shagadelic spy. But can he stop megalomaniac Dr. Evil after the bald villain freezes himself and unthaws in the '90s? With the help of sexy sidekick Vanessa Kensington, he just might.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Austin Powers: International Man of Mystery?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Jay Roach

Written by

Mike Myers

Mike Myers

Mike Myers

Austin Powers / Dr. Evil

Elizabeth Hurley

Elizabeth Hurley

Vanessa Kensington

Michael York

Michael York

Basil Exposition

Mimi Rogers

Mimi Rogers

Mrs. Kensington

Robert Wagner

Robert Wagner

Number Two

Seth Green

Seth Green

Scott Evil

Fabiana Udenio

Fabiana Udenio

Alotta Fagina

Court is in session

Put Austin Powers: International Man of Mystery on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“It owes the canon nothing.”

The movie pursues immediacy and audience pleasure without begging institutions to certify its worth.

The prosecution The Prestige Tourist

“Easy pleasure, short half-life.”

It moves efficiently through the moment but offers little reason to keep arguing once the credits end.