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Oscar

Oscar

Comedy · 1991

Angelo "Snaps" Provolone made his dying father a promise on his deathbed: he would leave the world of crime and become an honest businessman. Despite having no experience in making money in a legal fashion, Snaps sets about to keep his promise.

Movie details

Oscar

“In crime and comedy, timing is everything.”

1991 Comedy 1h 49m

Critical arithmetic

The consensus, allegedly.

IMDb

6.5 / 10

36.1K votes

Rotten Tomatoes

12 %

Tomatometer

Metacritic

47 / 100

Metascore

TMDB

6.4 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Angelo "Snaps" Provolone made his dying father a promise on his deathbed: he would leave the world of crime and become an honest businessman. Despite having no experience in making money in a legal fashion, Snaps sets about to keep his promise.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Oscar?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

John Landis

Written by

Michael Barrie · Jim Mulholland

Sylvester Stallone

Sylvester Stallone

Angelo "Snaps" Provolone

Marisa Tomei

Marisa Tomei

Lisa Provolone

Vincent Spano

Vincent Spano

Anthony Rossano

Ornella Muti

Ornella Muti

Sofia Provolone

Tim Curry

Tim Curry

Dr. Thornton Poole

Peter Riegert

Peter Riegert

Aldo

Chazz Palminteri

Chazz Palminteri

Connie

Court is in session

Put Oscar on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Popcorn Loyalist

“It owes the canon nothing.”

The movie pursues immediacy and audience pleasure without begging institutions to certify its worth.

The prosecution The Big-Idea Head

“Easy pleasure, short half-life.”

It moves efficiently through the moment but offers little reason to keep arguing once the credits end.