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Bandits

Bandits

Comedy · Crime · 2001

After escaping from prison, Joe and Terry go on a crime spree, robbing banks through Oregon and California in order to finance their scheme for a new life south of the border. Unfortunately, things get more complicated when they meet Kate, who runs into them with her car. She joins the bandits on their cross-country spree, and eventually she steals something, too: their hearts.

Movie details

Bandits

“Two's company, three's a crime.”

2001 Comedy · Crime 2h 3m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

After escaping from prison, Joe and Terry go on a crime spree, robbing banks through Oregon and California in order to finance their scheme for a new life south of the border. Unfortunately, things get more complicated when they meet Kate, who runs into them with her car. She joins the bandits on their cross-country spree, and eventually she steals something, too: their hearts.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Bandits?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Barry Levinson

Written by

Harley Peyton

Bruce Willis

Bruce Willis

Joseph Blake

Billy Bob Thornton

Billy Bob Thornton

Terry Lee Collins

Cate Blanchett

Cate Blanchett

Kate Wheeler

Troy Garity

Troy Garity

Harvey Pollard

William Converse-Roberts

William Converse-Roberts

Charles Wheeler

Brían F. O'Byrne

Brían F. O'Byrne

Darill Miller

Stacey Travis

Stacey Travis

Cloe Miller

Court is in session

Put Bandits on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Popcorn Loyalist

“It owes the canon nothing.”

The movie pursues immediacy and audience pleasure without begging institutions to certify its worth.

The prosecution The Prestige Tourist

“Easy pleasure, short half-life.”

It moves efficiently through the moment but offers little reason to keep arguing once the credits end.