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Naked Gun 33⅓: The Final Insult

Naked Gun 33⅓: The Final Insult

Comedy · Crime · 1994

Frank Drebin is persuaded out of retirement to go undercover in a state prison. There he has to find out what top terrorist, Rocco, has planned for when he escapes. Adding to his problems, Frank's wife, Jane, is desperate for a baby.

Movie details

Naked Gun 33⅓: The Final Insult

“Mostly all new jokes.”

1994 Comedy · Crime 1h 23m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

Frank Drebin is persuaded out of retirement to go undercover in a state prison. There he has to find out what top terrorist, Rocco, has planned for when he escapes. Adding to his problems, Frank's wife, Jane, is desperate for a baby.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Naked Gun 33⅓: The Final Insult?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Naked Gun 2½: The Smell of Fear

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Times are hard for habitual guest of Her Majesty Norman Stanley Fletcher. The new prison officer, Beale, makes MacKay look soft and what's more, an escape plan is hatching from the cell of prison godfather Grouty and Fletcher wants no part of it.

Big Momma's House

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Names above the title

The people responsible.

Directed by

Peter Segal

Written by

David Zucker · Pat Proft · Robert LoCash

Leslie Nielsen

Leslie Nielsen

Lt. Frank Drebin

Priscilla Presley

Priscilla Presley

Jane Spencer

George Kennedy

George Kennedy

Ed Hocken

O. J. Simpson

O. J. Simpson

Nordberg

Fred Ward

Fred Ward

Rocco

Kathleen Freeman

Kathleen Freeman

Muriel

Anna Nicole Smith

Anna Nicole Smith

Tanya

Court is in session

Put Naked Gun 33⅓: The Final Insult on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“It owes the canon nothing.”

The movie pursues immediacy and audience pleasure without begging institutions to certify its worth.

The prosecution The Prestige Tourist

“Easy pleasure, short half-life.”

It moves efficiently through the moment but offers little reason to keep arguing once the credits end.