“It owes the canon nothing.”
The movie pursues immediacy and audience pleasure without begging institutions to certify its worth.

Austin Powers in Goldmember
Comedy · Crime · 2002
The world's most shagadelic spy continues his fight against Dr. Evil. This time, the diabolical doctor and his clone, Mini-Me, team up with a new foe—'70s kingpin Goldmember. While pursuing the team of villains to stop them from world domination, Austin gets help from his dad and an old girlfriend.
Austin Powers in Goldmember
“The grooviest movie of the summer has a secret, baby!”
Critical arithmetic
The consensus, allegedly.
Scores change. Arguments endure.
IMDb
6.3 / 10
233.4K votes
Rotten Tomatoes
52 %
Tomatometer
Metacritic
62 / 100
Metascore
TMDB
6.0 / 10
Community rating
External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.
The world's most shagadelic spy continues his fight against Dr. Evil. This time, the diabolical doctor and his clone, Mini-Me, team up with a new foe—'70s kingpin Goldmember. While pursuing the team of villains to stop them from world domination, Austin gets help from his dad and an old girlfriend.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Austin Powers in Goldmember?
The Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their caseThe Prestige Tourist
“You like your greatness pre-approved.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Jay Roach
Written by
Mike Myers · Michael McCullers
Put Austin Powers in Goldmember on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Easy pleasure, short half-life.”
It moves efficiently through the moment but offers little reason to keep arguing once the credits end.






