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Down in the Valley

Down in the Valley

Drama · Romance · Thriller · 2005

On a trip to the beach, a teenage girl named Tobe meets a charismatic stranger named Harlan, who dresses like a cowboy and claims to be a former ranch hand. The pair feel an instant attraction and begin a relationship, but her father, a lawman, is suspicious of her lover.

Movie details

Down in the Valley

“Sometimes it's hard to find your way.”

2005 Drama · Romance · Thriller 1h 52m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

On a trip to the beach, a teenage girl named Tobe meets a charismatic stranger named Harlan, who dresses like a cowboy and claims to be a former ranch hand. The pair feel an instant attraction and begin a relationship, but her father, a lawman, is suspicious of her lover.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Down in the Valley?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Mountain Men

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The Last Manhunt

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Broke

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Names above the title

The people responsible.

Directed by

David Jacobson

Written by

David Jacobson

Edward Norton

Edward Norton

Harlan Fairfax Curruthers

Evan Rachel Wood

Evan Rachel Wood

Tobe Sommers

David Morse

David Morse

Wade Sommers

Rory Culkin

Rory Culkin

Lonnie

Bruce Dern

Bruce Dern

Charlie

John Diehl

John Diehl

Steve

Geoffrey Lewis

Geoffrey Lewis

Sheridan

Court is in session

Put Down in the Valley on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.