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Breezy

Breezy

Drama · Romance · 1973

A free-spirited young woman, Breezy, hitches a ride with an aging real estate salesman, Frank. Sensing that she just wants to use him he tries to have nothing to do with her. She's not that easy to shake, however, and over time a bond forms between them.

Movie details

Breezy

“Her name is Breezy...and love was all they had in common.”

1973 Drama · Romance 1h 48m

Critical arithmetic

One number, for now.

TMDB

6.8 / 10

Community rating

A free-spirited young woman, Breezy, hitches a ride with an aging real estate salesman, Frank. Sensing that she just wants to use him he tries to have nothing to do with her. She's not that easy to shake, however, and over time a bond forms between them.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Breezy?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Snow Angels

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Names above the title

The people responsible.

Directed by

Clint Eastwood

Written by

Jo Heims

William Holden

William Holden

Frank Harmon

Kay Lenz

Kay Lenz

Breezy

Roger C. Carmel

Roger C. Carmel

Bob Henderson

M

Marj Dusay

Betty Tobin

Joan Hotchkis

Joan Hotchkis

Paula Harmon

Jamie Smith-Jackson

Jamie Smith-Jackson

Marcy

Norman Bartold

Norman Bartold

Man in car

Court is in session

Put Breezy on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.