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Snow Angels

Snow Angels

Drama · Romance · Crime · 2007

Waitress Annie has separated from her suicidal alcoholic husband, Glenn. Glenn has become an evangelical Christian, but his erratic attempts at getting back into Annie's life have alarmed her. High school student Arthur works at Annie's restaurant, growing closer to a new kid in town, Lila, after class. When Glenn and Annie's daughter goes missing, the whole town searches for her, as he increasingly spirals out of control.

Movie details

Snow Angels

“Some will fall. Some will fly.”

2007 Drama · Romance · Crime 1h 46m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

Waitress Annie has separated from her suicidal alcoholic husband, Glenn. Glenn has become an evangelical Christian, but his erratic attempts at getting back into Annie's life have alarmed her. High school student Arthur works at Annie's restaurant, growing closer to a new kid in town, Lila, after class. When Glenn and Annie's daughter goes missing, the whole town searches for her, as he increasingly spirals out of control.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Snow Angels?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

David Gordon Green

Written by

David Gordon Green

Kate Beckinsale

Kate Beckinsale

Annie Marchand

Sam Rockwell

Sam Rockwell

Glenn Marchand

Michael Angarano

Michael Angarano

Arthur Parkinson

Jeannetta Arnette

Jeannetta Arnette

Louise Parkinson

Griffin Dunne

Griffin Dunne

Don Parkinson

Nicky Katt

Nicky Katt

Nate Petite

Tom Noonan

Tom Noonan

Mr. Chervenick

Court is in session

Put Snow Angels on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Adrenaline Seeker

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.