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My Fault: London

My Fault: London

Drama · Romance · 2025

18-year-old Noah moves from America to London, with her mother who's recently fallen in love with William, a wealthy British businessman. Noah meets William’s son, bad-boy Nick, and soon discovers there is an attraction between them neither can avoid. As Noah spends the summer adjusting to her new life, her devastating past will catch up with her while falling in love for the first time.

Movie details

My Fault: London

2025 Drama · Romance 1h 59m

Critical arithmetic

One number, for now.

TMDB

7.4 / 10

Community rating

18-year-old Noah moves from America to London, with her mother who's recently fallen in love with William, a wealthy British businessman. Noah meets William’s son, bad-boy Nick, and soon discovers there is an attraction between them neither can avoid. As Noah spends the summer adjusting to her new life, her devastating past will catch up with her while falling in love for the first time.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over My Fault: London?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

Your Fault: London

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Marked Men: Rule + Shaw

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Blind

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Names above the title

The people responsible.

Directed by

Dani Girdwood · Charlotte Fassler

Written by

Melissa Osborne

Asha Banks

Asha Banks

Noah

Matthew Broome

Matthew Broome

Nick

Eve Macklin

Eve Macklin

Ella

Ray Fearon

Ray Fearon

William

Enva Lewis

Enva Lewis

Jenna

Jason Flemyng

Jason Flemyng

Travis

Kerim Hassan

Kerim Hassan

Lion

Court is in session

Put My Fault: London on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.