Back to trending
One Fine Day

One Fine Day

Romance · Comedy · 1996

Melanie Parker, an architect and mother of Sammy, and Jack Taylor, a newspaper columnist and father of Maggie, are both divorced. They meet one morning when overwhelmed Jack is left unexpectedly with Maggie and forgets that Melanie was to take her to school. As a result, both children miss their school field trip and are stuck with the parents. The two adults project their negative stereotypes of ex-spouses on each other, but end up needing to rely on each other to watch the children as each must save his job. Humor is added by Sammy's propensity for lodging objects in his nose and Maggie's tendency to wander.

Movie details

One Fine Day

“She was having a perfectly bad day... Then he came along and spoiled it.”

1996 Romance · Comedy 1h 48m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

Melanie Parker, an architect and mother of Sammy, and Jack Taylor, a newspaper columnist and father of Maggie, are both divorced. They meet one morning when overwhelmed Jack is left unexpectedly with Maggie and forgets that Melanie was to take her to school. As a result, both children miss their school field trip and are stuck with the parents. The two adults project their negative stereotypes of ex-spouses on each other, but end up needing to rely on each other to watch the children as each must save his job. Humor is added by Sammy's propensity for lodging objects in his nose and Maggie's tendency to wander.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over One Fine Day?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

Your Place or Mine

Your Place or Mine

Romance · 2023

When best friends and total opposites Debbie and Peter swap homes for a week, they get a peek into each other's lives that could open the door to love.

Only the Lonely

Only the Lonely

Comedy · 1991

Danny Muldoon, a Chicago policeman, still lives with his overbearing mother Rose. He meets and falls in love with Theresa Luna, whose father owns the local funeral parlour. Naturally, his mother objects to the relationship, and Danny and Theresa must either overcome her objections or give up the romance.

With Six You Get Eggroll

With Six You Get Eggroll

Comedy · 1968

Abby McClure, a widow with three sons, and Jake Iverson, a widower with a teenage daughter, begin dating and eventually decide to get married. But they're not prepared for the hostile reactions from their children, who are not very excited about the new union between the two families.

It Takes Two

It Takes Two

Comedy · 1995

Identical 9-year-olds from very different backgrounds: orphaned Amanda and wealthy Alyssa meet at summer camp and decide to switch places -- and play matchmaker between Alyssa's dad, Roger, and the kind social worker who cares for Amanda.

A Merry Little Ex-Mas

A Merry Little Ex-Mas

Romance · 2025

Recently separated, Kate hopes to celebrate one last perfect family Christmas with her soon-to-be ex-husband Everett and their kids before their divorce is final and the house is sold. But her holiday plans are hilariously derailed when Everett unexpectedly brings his younger, successful new girlfriend.

Falling for Christmas

Falling for Christmas

Romance · 2022

An engaged, spoiled hotel heiress finds herself in the care of a handsome, blue-collar lodge owner and his precocious daughter after getting amnesia in a skiing accident.

Yours, Mine & Ours

Yours, Mine & Ours

Comedy · 2005

Admiral Frank Beardsley returns to New London to run the Coast Guard Academy, his last stop before a probable promotion to head the Guard. A widower with eight children, he runs a loving but tight ship, with charts and salutes. The kids long for a permanent home. Helen North is a free spirit, a designer whose ten children live in loving chaos, with occasional group hugs. Helen and Frank, high school sweethearts, reconnect at a reunion, and it's love at first re-sighting. They marry on the spot. Then the problems start as two sets of kids, the free spirits and the disciplined preppies, must live together. The warring factions agree to work together to end the marriage.

Family Switch

Family Switch

Comedy · 2023

When the Walker family members switch bodies with each other during a rare planetary alignment, their hilarious journey to find their way back to normal will bring them closer together than they ever thought possible.

Meet the Fockers

Meet the Fockers

Comedy · 2004

Hard-to-crack ex-CIA man Jack Byrnes and his wife Dina head for the warmer climes of Florida to meet the parents of their son-in-law-to-be, Greg Focker. Unlike their happily matched offspring, the future in-laws find themselves in a situation of opposites that definitely do not attract.

Because I Said So

Because I Said So

Romance · 2007

In an effort to prevent family history from repeating itself, meddlesome mom Daphne Wilder attempts to set up her youngest daughter, Milly, with Mr. Right. Meanwhile, her other daughters try to keep their mom's good intentions under control.

Where it lives

Watch in your region.

Cinema release signals and current streaming, rental, and purchase options for your region.

Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Michael Hoffman

Written by

Terrel Seltzer · Ellen Simon

Michelle Pfeiffer

Michelle Pfeiffer

Melanie Parker

George Clooney

George Clooney

Jack Taylor

Mae Whitman

Mae Whitman

Maggie Taylor, Jack's daughter

Alex D. Linz

Alex D. Linz

Sammy Parker, Melanie's son

Charles Durning

Charles Durning

Lew, Jack's boss

J

Jon Robin Baitz

Mr. Yates, Jr.

Ellen Greene

Ellen Greene

Mrs. Elaine Lieberman

Court is in session

Put One Fine Day on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.