“Sincerity is not manipulation.”
The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

Hold Me Back
Comedy · Romance · Drama · 2020
Mitsuko Kuroda is 31 years old and single. She enjoys her life as a single woman. A big reason why she enjoys her single life is that she has counsellor "A" in her mind, which is her other self. Whenever she does not know what to do, "A" gives her the right answers. She believes her happy and peaceful single life with "A" will continue, but she falls in love with Tada-kun. He is a salesperson and younger than her.
Hold Me Back
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.4 / 10
Community rating
Mitsuko Kuroda is 31 years old and single. She enjoys her life as a single woman. A big reason why she enjoys her single life is that she has counsellor "A" in her mind, which is her other self. Whenever she does not know what to do, "A" gives her the right answers. She believes her happy and peaceful single life with "A" will continue, but she falls in love with Tada-kun. He is a salesperson and younger than her.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Hold Me Back?
The Sentimental Softie
“You came to feel something, and you will.”
Read their caseThe Cool Ironist
“Feeling things is a little embarrassing.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Akiko Ohku
Written by
Akiko Ohku
Put Hold Me Back on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“The strings are showing.”
Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.






