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Hold Me Back

Hold Me Back

Comedy · Romance · Drama · 2020

Mitsuko Kuroda is 31 years old and single. She enjoys her life as a single woman. A big reason why she enjoys her single life is that she has counsellor "A" in her mind, which is her other self. Whenever she does not know what to do, "A" gives her the right answers. She believes her happy and peaceful single life with "A" will continue, but she falls in love with Tada-kun. He is a salesperson and younger than her.

Movie details

Hold Me Back

2020 Comedy · Romance · Drama 2h 13m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

Mitsuko Kuroda is 31 years old and single. She enjoys her life as a single woman. A big reason why she enjoys her single life is that she has counsellor "A" in her mind, which is her other self. Whenever she does not know what to do, "A" gives her the right answers. She believes her happy and peaceful single life with "A" will continue, but she falls in love with Tada-kun. He is a salesperson and younger than her.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Hold Me Back?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Akiko Ohku

Written by

Akiko Ohku

Non

Non

Mitsuko Kuroda

Kento Hayashi

Kento Hayashi

Tada

Asami Usuda

Asami Usuda

Nozomi

Takuya Wakabayashi

Takuya Wakabayashi

Carter

Hairi Katagiri

Hairi Katagiri

Sawada

Ai Hashimoto

Ai Hashimoto

Satsuki

Tomoya Nakamura

Tomoya Nakamura

A (voice)

Court is in session

Put Hold Me Back on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.