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Emma

Emma

Comedy · Drama · Romance · 1996

Emma Woodhouse is a congenial young lady who delights in meddling in other people’s affairs. She is perpetually trying to unite men and women who are utterly wrong for each other. Despite her interest in romance, Emma is clueless about her own feelings, and her relationship with gentle Mr. Knightley.

Movie details

Emma

1996 Comedy · Drama · Romance 1h 47m

Critical arithmetic

The consensus, allegedly.

IMDb

7.0 / 10

6.5K votes

Rotten Tomatoes

84 %

Tomatometer

TMDB

6.6 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Emma Woodhouse is a congenial young lady who delights in meddling in other people’s affairs. She is perpetually trying to unite men and women who are utterly wrong for each other. Despite her interest in romance, Emma is clueless about her own feelings, and her relationship with gentle Mr. Knightley.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Emma?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Diarmuid Lawrence

Written by

Andrew Davies

Kate Beckinsale

Kate Beckinsale

Emma Woodhouse

Mark Strong

Mark Strong

Mr. Knightley

Samantha Morton

Samantha Morton

Harriet Smith

Raymond Coulthard

Raymond Coulthard

Frank Churchill

Olivia Williams

Olivia Williams

Jane Fairfax

Bernard Hepton

Bernard Hepton

Mr. Woodhouse

Samantha Bond

Samantha Bond

Mrs. Weston

Court is in session

Put Emma on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.