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Pride and Prejudice

Pride and Prejudice

Drama · Romance · 1940

In early 19th century England, Mr and Mrs Bennet's five unmarried daughters vie for the affections of rich and eligible Mr Bingley and his status-conscious friend, Mr Darcy, who have moved into their neighbourhood. While Bingley takes an immediate liking to eldest daughter Jane, Darcy has difficulty adapting to local society and repeatedly clashes with second-eldest Elizabeth.

Movie details

Pride and Prejudice

“The Gayest Comedy Hit of the Screen! Five Gorgeous Beauties on a Mad-Cap Manhunt!”

1940 Drama · Romance 1h 58m

Critical arithmetic

One number, for now.

TMDB

6.9 / 10

Community rating

In early 19th century England, Mr and Mrs Bennet's five unmarried daughters vie for the affections of rich and eligible Mr Bingley and his status-conscious friend, Mr Darcy, who have moved into their neighbourhood. While Bingley takes an immediate liking to eldest daughter Jane, Darcy has difficulty adapting to local society and repeatedly clashes with second-eldest Elizabeth.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Pride and Prejudice?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Robert Z. Leonard

Written by

Aldous Huxley · Jane Murfin

Greer Garson

Greer Garson

Elizabeth Bennet

Laurence Olivier

Laurence Olivier

Mr. Darcy

Mary Boland

Mary Boland

Mrs. Bennet

Edna May Oliver

Edna May Oliver

Lady Catherine de Bourgh

Maureen O'Sullivan

Maureen O'Sullivan

Jane Bennet

Ann Rutherford

Ann Rutherford

Lydia Bennet

Frieda Inescort

Frieda Inescort

Miss Caroline Bingley

Court is in session

Put Pride and Prejudice on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Adrenaline Seeker

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.