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Farewell, Mr. Haffmann

Farewell, Mr. Haffmann

History · Drama · 2022

Paris 1942. François Mercier is an ordinary man who only aspires to start a family with the woman he loves, Blanche. He is also the employee of a talented jeweler, Mr. Haffmann. But faced with the German occupation, the two men will have no other choice but to conclude an agreement whose consequences, over the months, will upset the fate of our three characters.

Movie details

Farewell, Mr. Haffmann

2022 History · Drama 1h 55m

Critical arithmetic

One number, for now.

TMDB

6.9 / 10

Community rating

Paris 1942. François Mercier is an ordinary man who only aspires to start a family with the woman he loves, Blanche. He is also the employee of a talented jeweler, Mr. Haffmann. But faced with the German occupation, the two men will have no other choice but to conclude an agreement whose consequences, over the months, will upset the fate of our three characters.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Farewell, Mr. Haffmann?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Fred Cavayé

Written by

Sarah Kaminsky · Fred Cavayé · Jean-Philippe Daguerre

Daniel Auteuil

Daniel Auteuil

Joseph Haffmann

Gilles Lellouche

Gilles Lellouche

François Mercier

Sara Giraudeau

Sara Giraudeau

Blanche Mercier

Nikolai Kinski

Nikolai Kinski

Commander Jünger

Mathilde Bisson

Mathilde Bisson

Suzanne

Anne Coesens

Anne Coesens

Hannah Haffmann

Jérôme Cachon

Jérôme Cachon

Civilian Police

Court is in session

Put Farewell, Mr. Haffmann on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.