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The Money Maker

The Money Maker

History · Drama · Crime · 2026

In post-war France, Jan Bojarski, a young Polish refugee, became the greatest counterfeiter of all time, the "Cézanne of counterfeit money". For more than fifteen years, this man led a double life, unbeknownst to his family, making counterfeits in a garden shed that were "truer" than the bills issued by the Banque de France... All these years, this peerless counterfeiter managed to avoid being caught by the police, and became the bête noire of Commissaire Mattei in a hunt that, for these two obsessives, turned into a duel.

Movie details

The Money Maker

2026 History · Drama · Crime 2h 8m

Critical arithmetic

One number, for now.

TMDB

7.1 / 10

Community rating

In post-war France, Jan Bojarski, a young Polish refugee, became the greatest counterfeiter of all time, the "Cézanne of counterfeit money". For more than fifteen years, this man led a double life, unbeknownst to his family, making counterfeits in a garden shed that were "truer" than the bills issued by the Banque de France... All these years, this peerless counterfeiter managed to avoid being caught by the police, and became the bête noire of Commissaire Mattei in a hunt that, for these two obsessives, turned into a duel.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Money Maker?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Jean-Paul Salomé

Written by

Jean-Paul Salomé · Bastien Daret

Reda Kateb

Reda Kateb

Jan Bojarski

Sara Giraudeau

Sara Giraudeau

Suzanne Bojarski

Bastien Bouillon

Bastien Bouillon

André Mattéi

Quentin Dolmaire

Quentin Dolmaire

Perrier

Pierre Lottin

Pierre Lottin

Anton Dowgierd

Camille Japy

Camille Japy

Anaïs

Lolita Chammah

Lolita Chammah

Françoise Mattéi

Court is in session

Put The Money Maker on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.