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36th Precinct

36th Precinct

Crime · Drama · Thriller · 2004

In Paris, two cops are competing for the vacant job of chief of police, in the middle of the search for a gang of violent thieves. The movie is directed by Olivier Marchal, a former police officer who spent 12 years with the French police before creating this story, taken in part from real events of the 1980s.

Movie details

36th Precinct

“A FILM BY OLIVIER MARCHAL.”

2004 Crime · Drama · Thriller 1h 51m

Critical arithmetic

One number, for now.

TMDB

6.9 / 10

Community rating

In Paris, two cops are competing for the vacant job of chief of police, in the middle of the search for a gang of violent thieves. The movie is directed by Olivier Marchal, a former police officer who spent 12 years with the French police before creating this story, taken in part from real events of the 1980s.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over 36th Precinct?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Olivier Marchal

Written by

Olivier Marchal · Franck Mancuso · Julien Rappeneau

Daniel Auteuil

Daniel Auteuil

Leo Vrinks

Gérard Depardieu

Gérard Depardieu

Denis Klein

André Dussollier

André Dussollier

Robert Mancini

Roschdy Zem

Roschdy Zem

Hugo Silien

Valeria Golino

Valeria Golino

Camille Vrinks

Daniel Duval

Daniel Duval

Eddy Valence

Francis Renaud

Francis Renaud

Titi Brasseur

Court is in session

Put 36th Precinct on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Big-Idea Head

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.