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Across 110th Street

Across 110th Street

Action · Crime · Drama · 1972

In a daring robbery, some $300,000 is taken from the Italian mob. Several mafiosi are killed, as are two policemen. Lt. Pope and Capt. Mattelli are two New York City cops trying to break the case. Three small-time criminals are on the run with the money. Will the mafia catch them first, or will the police?

Movie details

Across 110th Street

“If you steal $300,000 from the mob, It's not robbery. It's suicide.”

1972 Action · Crime · Drama 1h 42m

Critical arithmetic

One number, for now.

TMDB

6.7 / 10

Community rating

In a daring robbery, some $300,000 is taken from the Italian mob. Several mafiosi are killed, as are two policemen. Lt. Pope and Capt. Mattelli are two New York City cops trying to break the case. Three small-time criminals are on the run with the money. Will the mafia catch them first, or will the police?

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Across 110th Street?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Barry Shear

Written by

Luther Davis

Anthony Quinn

Anthony Quinn

Capt. Frank Mattelli

Yaphet Kotto

Yaphet Kotto

Lt. William Pope

Anthony Franciosa

Anthony Franciosa

Nick D'Salvio

Paul Benjamin

Paul Benjamin

Jim Harris

Richard Ward

Richard Ward

Doc Johnson

Antonio Fargas

Antonio Fargas

Henry J. Jackson

Gilbert Lewis

Gilbert Lewis

Shevvy

Court is in session

Put Across 110th Street on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Momentum is a formal choice.”

The velocity sharpens instinct and tension, making every beat land before self-importance can settle in.

The prosecution The Auteur Devotee

“Speed as an alibi.”

The film races past its weak spots and hopes acceleration will keep the audience from inspecting the evidence.