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Speaking of Murder

Speaking of Murder

Crime · Drama · Thriller · 1957

Louis Bertain is the owner of a Paris garage which is the front for a robbery gang. He and his accomplices are careful to keep up a civic veneer by day, indulging in criminal activities only when "the red light is on" at night. This status quo is upset when one of the gang members becomes convinced that Louis' younger brother is a police informer.

Movie details

Speaking of Murder

“The master plan - the split-second timing - the unexpected flaw...the crime that shocked Paris!”

1957 Crime · Drama · Thriller 1h 25m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

Louis Bertain is the owner of a Paris garage which is the front for a robbery gang. He and his accomplices are careful to keep up a civic veneer by day, indulging in criminal activities only when "the red light is on" at night. This status quo is upset when one of the gang members becomes convinced that Louis' younger brother is a police informer.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Speaking of Murder?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Gilles Grangier

Jean Gabin

Jean Gabin

Louis Bertain/Louis le blond

Paul Frankeur

Paul Frankeur

Fredo

Marcel Bozzuffi

Marcel Bozzuffi

Pierre

Lino Ventura

Lino Ventura

Pepito

Annie Girardot

Annie Girardot

Hélène

Albert Dinan

Albert Dinan

l'inspecteur Pluvier

Antonin Berval

Antonin Berval

Court is in session

Put Speaking of Murder on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.