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The Courageous Heart of Irena Sendler

The Courageous Heart of Irena Sendler

Drama · War · 2009

Irena Sendler is a Catholic social worker who has sympathized with the Jews since her childhood, when her physician father died of typhus contracted while treating poor Jewish patients. When she initially proposes saving Jewish children from the Warsaw Ghetto, her idea is met with skepticism by fellow workers, her parish priest, and even her own mother Janina.

Movie details

The Courageous Heart of Irena Sendler

“How did one woman save 2500 children?”

2009 Drama · War 1h 36m

Critical arithmetic

One number, for now.

TMDB

7.3 / 10

Community rating

Irena Sendler is a Catholic social worker who has sympathized with the Jews since her childhood, when her physician father died of typhus contracted while treating poor Jewish patients. When she initially proposes saving Jewish children from the Warsaw Ghetto, her idea is met with skepticism by fellow workers, her parish priest, and even her own mother Janina.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Courageous Heart of Irena Sendler?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

John Kent Harrison

Written by

John Kent Harrison · Larry Spagnola

Anna Paquin

Anna Paquin

Irena Sendler

Goran Višnjić

Goran Višnjić

Stefan Zgrzembski

Michelle Dockery

Michelle Dockery

Ewa Rozenfeld

Danuta Stenka

Danuta Stenka

Hannah Rozenfeld

Maja Ostaszewska

Maja Ostaszewska

Jadwiga

Krzysztof Pieczyński

Krzysztof Pieczyński

Dr. Janusz Korczak

Jerzy Nowak

Jerzy Nowak

Old Rabbi

Court is in session

Put The Courageous Heart of Irena Sendler on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.