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Onoda: 10,000 Nights in the Jungle

Onoda: 10,000 Nights in the Jungle

Drama · Adventure · War · 2021

Japan, 1944. Trained for intelligence work, Hiroo Onoda, 22 years old, discovers a philosophy contrary to the official line: no suicide; stay alive whatever happens; the mission is more important than anything else. Sent to Lubang, a small island in the Philippines where the Americans are about to land, this role will be to wage a guerrilla war until the return of the Japanese troops. The Empire will surrender soon after; Onoda, 10,000 days later.

Movie details

Onoda: 10,000 Nights in the Jungle

2021 Drama · Adventure · War 2h 47m

Critical arithmetic

One number, for now.

TMDB

7.1 / 10

Community rating

Japan, 1944. Trained for intelligence work, Hiroo Onoda, 22 years old, discovers a philosophy contrary to the official line: no suicide; stay alive whatever happens; the mission is more important than anything else. Sent to Lubang, a small island in the Philippines where the Americans are about to land, this role will be to wage a guerrilla war until the return of the Japanese troops. The Empire will surrender soon after; Onoda, 10,000 days later.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Onoda: 10,000 Nights in the Jungle?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Arthur Harari

Written by

Arthur Harari · Vincent Poymiro

Yuya Endo

Yuya Endo

Young Onoda

Kanji Tsuda

Kanji Tsuda

Old Onoda

Yuya Matsuura

Yuya Matsuura

Young Kozuka

Tetsuya Chiba

Tetsuya Chiba

Old Kozuka

Shinsuke Kato

Shinsuke Kato

Shimada

Kai Inowaki

Kai Inowaki

Akatsu

Issey Ogata

Issey Ogata

Major Taniguchi

Court is in session

Put Onoda: 10,000 Nights in the Jungle on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.