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Roseanna's Grave

Roseanna's Grave

Comedy · Romance · Drama · 1997

Roseanna is dying of a heart condition, and all she wants is to be buried next to her daughter, in a cemetery that is getting full fast. The cemetery can't expand because Capestro, the man who owns the land next to the cemetery, won't sell. While Marcello is doing good deeds to make sure no one dies, Roseanna thinks of Marcello's future.

Movie details

Roseanna's Grave

“A romantic comedy about the things we do for love.”

1997 Comedy · Romance · Drama 1h 38m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

Roseanna is dying of a heart condition, and all she wants is to be buried next to her daughter, in a cemetery that is getting full fast. The cemetery can't expand because Capestro, the man who owns the land next to the cemetery, won't sell. While Marcello is doing good deeds to make sure no one dies, Roseanna thinks of Marcello's future.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Roseanna's Grave?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Paul Weiland

Written by

Saul Turteltaub

Jean Reno

Jean Reno

Marcello

Mercedes Ruehl

Mercedes Ruehl

Roseanna

Polly Walker

Polly Walker

Cecilia

Mark Frankel

Mark Frankel

Antonio

Trevor Peacock

Trevor Peacock

Fredo Iaccoponi

Fay Ripley

Fay Ripley

Francesca

Giuseppe Cederna

Giuseppe Cederna

Pater Bramilla

Court is in session

Put Roseanna's Grave on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.