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The Four Seasons

The Four Seasons

Comedy · Drama · Romance · 1981

Three middle-aged wealthy couples take vacations together in Spring, Summer, Autumn and Winter. Along the way we are treated to mid-life, marital, parental and other crises.

Movie details

The Four Seasons

“Here's to our friends... and the strength to put up with them.”

1981 Comedy · Drama · Romance 1h 47m

Critical arithmetic

The consensus, allegedly.

IMDb

6.8 / 10

5.8K votes

Rotten Tomatoes

68 %

Tomatometer

Metacritic

55 / 100

Metascore

TMDB

6.4 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Three middle-aged wealthy couples take vacations together in Spring, Summer, Autumn and Winter. Along the way we are treated to mid-life, marital, parental and other crises.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Four Seasons?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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A California Christmas: City Lights

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Shag

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Where it lives

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Alan Alda

Written by

Alan Alda

Alan Alda

Alan Alda

Jack Burroughs

Carol Burnett

Carol Burnett

Kate Burroughs

Len Cariou

Len Cariou

Nick Callan

Sandy Dennis

Sandy Dennis

Anne Callan

Rita Moreno

Rita Moreno

Claudia Zimmer

Jack Weston

Jack Weston

Danny Zimmer

Bess Armstrong

Bess Armstrong

Ginny Newley (Callan)

Court is in session

Put The Four Seasons on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.