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Les Misérables

Les Misérables

Crime · Drama · Thriller · 2019

Stéphane has recently joined the Anti-Crime Squad in Montfermeil, in the suburbs of Paris, France, where Victor Hugo set his famed novel “Les Miserables”. Alongside his new colleagues Chris and Gwada – both experienced members of the team – he quickly discovers tensions running high between local gangs. When the trio finds themselves overrun during the course of an arrest, a drone captures the encounter, threatening to expose the reality of everyday life.

Movie details

Les Misérables

2019 Crime · Drama · Thriller 1h 44m

Critical arithmetic

One number, for now.

TMDB

7.6 / 10

Community rating

Stéphane has recently joined the Anti-Crime Squad in Montfermeil, in the suburbs of Paris, France, where Victor Hugo set his famed novel “Les Miserables”. Alongside his new colleagues Chris and Gwada – both experienced members of the team – he quickly discovers tensions running high between local gangs. When the trio finds themselves overrun during the course of an arrest, a drone captures the encounter, threatening to expose the reality of everyday life.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Les Misérables?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Ladj Ly

Written by

Ladj Ly · Giordano Gederlini · Alexis Manenti

Damien Bonnard

Damien Bonnard

Stéphane

Alexis Manenti

Alexis Manenti

Chris

Djebril Zonga

Djebril Zonga

Gwada

Steve Tientcheu

Steve Tientcheu

The Mayor

Jeanne Balibar

Jeanne Balibar

The Comissioner

Issa Perica

Issa Perica

Issa

Al-Hassan Ly

Al-Hassan Ly

Buzz

Court is in session

Put Les Misérables on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Big-Idea Head

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.