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Razzia

Razzia

Crime · Drama · 1955

Henri, the Man from Nantes, comes back to his country after a successful stay in the United States, where he was working for Liski, the drug dealer. With the fame of being a tough guy preceding him, he sets himself to the task of knowing why the French operations were not so profitable - and soon he is master of all links of the organization. He can now get it honed to perfection - or destroy it. Only... the Police are following his every step.

Movie details

Razzia

1955 Crime · Drama 1h 41m

Critical arithmetic

One number, for now.

TMDB

6.7 / 10

Community rating

Henri, the Man from Nantes, comes back to his country after a successful stay in the United States, where he was working for Liski, the drug dealer. With the fame of being a tough guy preceding him, he sets himself to the task of knowing why the French operations were not so profitable - and soon he is master of all links of the organization. He can now get it honed to perfection - or destroy it. Only... the Police are following his every step.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Razzia?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Henri Decoin

Written by

Henri Decoin · Maurice Griffe

Jean Gabin

Jean Gabin

Henri Ferré dit 'Le Nantais'

Magali Noël

Magali Noël

Lisette, la caissière du "Troquet"

Lino Ventura

Lino Ventura

Roger le Catalan

Albert Rémy

Albert Rémy

Bibi, le complice de Roger

Paul Frankeur

Paul Frankeur

le commissaire Fernand

Pierre-Louis

Pierre-Louis

l'inspecteur Leroux - de la brigade mondaine

Marcel Dalio

Marcel Dalio

Paul Liski, le chef du réseau de drogue

Court is in session

Put Razzia on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.